Chris Watson

Review

The Australian Bird Guide

ReviewChris Watson

by Peter Menkhorst, Danny Rogers, Rohan Clarke, Jeff Davies, Peter Marsack & Kim Franklin.

CSIRO Publishing

“…research in systematics can enliven the way one observes any bird. When observing a bird, we see the latest results of ongoing and open-ended evolution. That makes things far more interesting than if our understanding of the birds and the names we use all just stood still.” – Dr Leo Joseph

 

This passage from Leo Joseph’s essay in The Australian Bird Guide zeroes in on what is, perhaps, a challenging aspect of birding for some: constant open-ended change. The endless mutability of species and bird names is a fact capable of draining the colour from many birders’ faces. Earlier in the same essay entitled A guide for birders to the evolution and classification of Australian birds, Dr Joseph points out that, “…this book and its successors should look very different from their predecessors in the species and groups they recognise.” It might seem like an obvious thing to point out but it’s a timely reminder. Outdated ideas can be tenacious. Change is something we all wrestle with in different ways but it cannot be resisted.

With that in mind, find your favourite armchair. Sitting comfortably? Things are about to change. Get excited.

To say that The Australian Bird Guide (ABG) is the most anticipated natural history publishing release in recent Australian history might sound like embroidery, but it may in fact be selling the phenomenon short. The only other release I can think of that caused quite such a stir in the last few decades is that of HANZAB; still a towering landmark. During the final months before the release of The ABG the suspense in the birdwatching community has been palpable. The book has been a full eight years in the making and the last couple of weeks ‘til its official launch promise to drag out larghissimo. A few have remained phlegmatic but most birdwatchers have by now seen a few sneak peeks online, which have raised expectations to stratospheric elevations. Speaking to some, you might get the impression of a group of acolytes awaiting the delivery of the gospels of Australian birding; carved in stone; direct from the mountaintop; from the inner circle of the highest curia of austral ornithological savvy.

In many ways it’s an apt analogy.

But the authors acknowledge that the production of The ABG has been a profoundly collaborative process; one that has involved not just the authors and artists directly responsible for its genesis, but a broad swathe of the Australian and global birdwatching community. The team took full advantage of social media and the online birding community’s natural generosity and propensity for image and data sharing. In doing so, they were able to amass unprecedented archives of photographic reference material to inform the 4700+ individually commissioned paintings that form the colour plates. This meticulous research shows in the plates too. The artwork of Jeff Davies, Peter Marsack, and Kim Franklin will already be well known to readers and the plates in this volume are as near to perfect as possible. (I include no photographs of the plates as my photographs would do no justice to them, but trust me; they’re beautiful.) Further superlatives on the quality of the paintings are superfluous but it’s worth noting that it’s the first time the Night Parrot has been illustrated in the age in which photographic references of a live individual are available. Also it’s the first, among all the existing field guides I could find, to feature a depiction of a juvenile Night Parrot and to picture most of the grasswren species also with juveniles.

But there will be many firsts for readers to enjoy among the plates.

“I’d like to think it’s a game-changer in the shorebird and seabird space especially”, says author Dr Rohan Clarke when pressed to single out the features that set The ABG apart from other field guides we’ve seen. Rohan was kind enough to give The Grip a few minutes of his time to speak about The ABG earlier in the week.

“Just because they’re tough groups that have not necessarily been done well before. Beyond that, it’s kind of hard. We didn’t line up the existing field guides and say, ‘how can we do better?’ We pulled out the best field guides in the world and said, ‘how can we replicate this in Australia?’”

This is an approach that has clearly paid dividends. Comparisons with the widely-lauded Collins Bird Guide (to the Birds of Europe) have already been drawn and, while comparisons can be odious, in this case it may be instructive. The Collins is frequently held up as a paragon of the field guide form and The Australian Bird Guide—in the quality of the artwork, in the fullness of the text, in the accuracy of the maps and information—in my assessment, stands shoulder-to-shoulder with it. In its comprehensiveness, it may even give it a nudge. According to Rohan Clarke, certainly, this was one of the team’s aims.

“We were shooting for it to be the most comprehensive guide ever in Australia.”

By most counts 936 species have been recorded within the guide’s region and The ABG treats 927. This leaves a tiny few missing the cut and the criteria for exclusion are clearly set out in the front of the book: no vagrant records from before 1940 and no extinct species. So there is no Paradise Parrot and no Eurasian Wigeon, no Corncrake, and no Nicobar Pigeon. The team had to draw the line somewhere in order to get the book through to publication so despite exciting recent occurrences, those latter three species will have to await a future edition.

But, other than those species which fall foul of these criteria, all other vagrants and birds of Australian external territories are covered. This increased the task of The ABG team considerably.

The Grip: It expands the scope of the book quite a lot when you start including all of those doesn’t it?

Rohan Clarke: Interestingly, I was not one of the people who was arguing hard for full inclusion of all the offshore island species; you know the one-off vagrants on all the offshore islands. I was a strong advocate for including all of the native species, the residents and the regular occurrences on the offshore islands because I reckon, politically, they’re ours, so if we’re not aware of them no-one else is going to be so we’ve got to drive that awareness and that ownership to get some buy-in and ensure they’re conserved. But some of the individuals I guess, we could’ve played them down more… When I started, I thought we could’ve played them down more than we have but at the end I think, certainly for some of the things that are tough pairs and combinations, hopefully we’re doing them as well as some of the overseas books as well. So hopefully we’ve got the best coverage of things like Phylloscopus warblers and the Locustella warblers for the ones that occur in Australia.

TG: And, something that I guess you and the team must have discussed at some point: a companion smartphone app. Do you think one is likely?

RC: It’s likely. The question is more a matter of time I think. I think it’s open-ended at the moment in that, other than being involved in discussions, I probably don’t know much more than the broader birding community other than that it is sitting with CSIRO Publishing and at some point they’re going to make a call on when and how.

TG: So what’s going to be the bird that grips you off the most when it turns up and it’s not in the book?

RC: Well Nicobar Pigeon didn’t waste any time! That’s interesting in the sense that, it had been recorded back in the 1980s but wasn’t submitted until quite late; as in, we were well into the writing process so it was one of the first to miss the cut effectively. But none of us were too concerned because we just weren’t going to get another one. So to have one on the mainland is probably gripping in the sense that it’s probably more deserving of a spot than some of the things on the offshore islands.

TG: The ABG team acknowledges the role of online technology like social media in enabling faster communication between birders and the sharing of information. Do you reckon social media has had a role to play in improving the standard of birding as well?

RC: I think so. I’m in the echo chamber there! There are a lot of people I see have a genuine interest in social media and there are things that I’ve said or Jeff (Davies) has said or something else online and then it only takes a couple of months if it’s a recurring identification problem, and other people are now using it routinely as a feature. So someone else will come in and say, “It is this ID because of this this and this”. So I think we are definitely seeing it. How wide the reach is, is hard to know in that space. But I guess the Australian Bird ID group has got some ridiculous number of people (14,673 members at time of writing) on Facebook so that’s kind of indicative that at least people want to be able to put a name to a bird.

TG: To play the devil’s advocate for a second, why did we need a new field guide? Didn’t we have enough already?

RC: I think we’ve got enough field guides in the sense that there’s a bit of diversity out there and all the Australian birds are covered but I reckon Australian birding has changed so much in the last decade or so and a lot of that’s driven by the digital age.

So it’s twofold in that, with digital images we can now look at birds at a level of detail that we just couldn’t have with slide film or anything in the past so we can capture everything that a bird reveals these days more so perhaps even than skins. Then, combined with that, the digital age has also seen a growth in birdwatching I’d say—a greater awareness—and so there are more birders who want to know more about the birds than just being able to identify them. So most of the existing field guides do a pretty good job of helping you identify a bird but most of them don’t go much further than that. Unless it’s really obvious, they don’t break down how you separate the sexes and most of them don’t touch on ageing unless, again, it’s really obvious or it’s a standard problem for a particular species. So that’s what we are trying to hit; both excellence in terms of straight ID and picking up all of the existing and new information that has come out of those digital images but then also going to another level in terms of providing more information about identification at a finer scale.

And finer scale knowledge of the birds we are watching is something we should all aspire to. The Australian Bird Guide delivers on this account too. For pure identification purposes, birds have been illustrated in poses that best highlight diagnostic features. To this end, seabirds are depicted almost exclusively in flight; precisely as most birders will encounter them on pelagic trips. The finer scale of knowledge is delivered through lavish text including family level summaries and species accounts which appear on the facing page to each plate of illustrations. The text is detailed without being too over-the-top, featuring all of the expected information and including helpful notes on recent taxonomic changes and potential ‘armchair ticks’, distributional info that might be too granular to identify on the maps, and behavioural notes where they might assist finding the bird in its habitat and separating it from confusion species. The quantity of information presented in The Australian Bird Guide is such that it actually hovers somewhere between a field guide and a handbook; a fact reflected in the choice of the title. The next logical point of reference after The Australian Bird Guide, if the reader still needs more on a bird, will be a serious reference handbook, the likes of HANZAB. That alone could be the measure of a book which has been kept to a size not much larger than the 9th edition of Pizzey & Knight (the latter at 1227g vs The ABG at 1450g). It’s not so much a field guide as it is The TARDIS of Australian bird information. (Australian Bird TARDIS? Actually has a bit of a ring to it, no?)

But I promised change at the top of this review. The biggest change, for many, will be that The Australian Bird Guide, for the most part, dispenses with the usual practice of presenting the species in taxonomic order. Instead, birds are grouped according to the broad habitat class in which they will most likely be found: marine, freshwater, and terrestrial. Coloured tabs on the top edge of pages direct the reader to these groups and then, within those groupings, current taxonomic order prevails. This is a bold step, but one that is justified in the introduction and, ultimately, works.

There are many other things that The ABG does well: a single index by both scientific and common names; some great introductory chapters, including the essay by Leo Joseph from which I quoted at the beginning of this review; helpful passages on birding in Australia; and an open acknowledgement of the contributions that have been made to the knowledge of Australia’s birds by birdwatchers and photographers. Refreshingly, The ABG team have also stepped back from the sanctimonious position that is frequently adopted on the use of playback. Rather, they present a fulsome account of its ethical deployment, its drawbacks, and recommendations for and against its use in particular circumstances. This section runs to a full page and a half and brought me to a lachrymose standing ovation. Let this be the end to the interminable online bickering!

Finally, it wouldn’t be a fair review if I was only breathless and moist-eyed in my admiration of the achievements of The ABG. As any publication will, it has its flaws but they are mostly fairly trivial. I won’t list the many typographical and editorial errors I encountered; they’ll be like Easter eggs for sharp-eyed readers and they don’t effect the book’s usability. The ABG has continued the use of text descriptions of bird vocalisations that I have railed against in the past and will continue to do so. I think there are a limited number of cases where the practice may be helpful but for the most part it is a waste of text space. I will happily change my position on this as soon as someone can persuade me of the value of including quinquinkrrkrrquinquinquinkrrkrr as an aid to identifying the call of the Australasian Swamphen. I’m all ears.

On a slightly more serious note, two of the plates in the copy I received, (Fluttering to Newell’s Shearwater on p.59 and Bulwer’s Petrel to Tristram’s Storm-Petrel on p. 79) have a printing error resulting in all the species on the plates appearing to have a washed-out and much browner appearance than similar species on adjacent pages. I’m hoping that this is a one-off and only appears in my copy but my contacts within the publishing industry inform me that this may be right through an entire batch of books in the same printing run. As printing errors go it’s far from disastrous, the plates are still quite usable, but let’s hope it is limited to just a few aberrant copies.

But those are the very few minor faults I could find in a book, which—and I told myself that I’d try to avoid the more obvious clichés but every other reviewer seems to be trotting this one out—is sure to become our favourite field guide to Australia’s birds. 

In all truth, this could be the most pointless review I’ve ever written. Everyone is going to buy this book and everyone is going to love it. Enjoy!

CBW

 

NB: The official release date for The Australian Bird Guide is the 1st of May but it is already in most good book shops and has a recommended retail price of $49.95.

Birds of New Guinea: Distribution, Taxonomy, and Systematics

ReviewChris Watson

By Bruce M. Beehler and Thane K. Pratt

This hefty book is the companion to the second edition field guide for the same region which I reviewed here earlier. It’s a massive work of data collection and scholarship and grew out of the effort to update the field guide. The amount of new research that had been undertaken since the publication of the first edition was such that all the new information couldn’t possibly be shoe-horned into the single volume. As a result, Birds of New Guinea: Distribution, Taxonomy, and Systematics (DTS) comes in at 668 hardbound pages versus the 528 pages in the paperback field guide which is also printed at a slightly smaller format.

At around $140 it's at the lower end of the price range for large reference volumes on similar subject matter. If that price makes you flinch you should consider carefully the scale (both literally and figuratively) of the book that money is purchasing. Birds of New Guinea DTS will probably have slightly reduced appeal to the general bird watcher than the field guide, given that it lacks the colour plates. But to the serious scholar of Australo-Papuan birds, or even the diligent student of northern Australian species this book is a gold mine. Birds of New Guinea DTS is effectively a checklist; as the authors acknowledge, a heavily modified, re-ordered and updated reworking of Ernst Mayr’s original 1941 List of New Guinea Birds.

Any birders who have read Tim Low’s magnificent Where Song Began, will be well aware of one of the sweeping themes of that book: though the landmasses of Australia and New Guinea appear separate the reality is that they are both part of the same continent and even a casual glance at their faunal assemblages bears this out. Both islands possess echidnas, birds-of-paradise, bowerbirds, dasyurids, wallabies and tree kangaroos. Birds of New Guinea DTS is a reference that fleshes out this reality to a granular degree. A mind-boggling amount of field time has produced the data in this book, backed up by similar levels of industriousness in the laboratory and during the editing process. The taxonomy follows the same sequence set out in the field guide with just a few minor tweaks where new information has come to light.

Birds of New Guinea DTS (bottom) with its dust jacket off.

The real advances in knowledge that have allowed for this expanded edition are greatly improved understanding of the distribution and systematics of New Guinea’s birds. Importantly, this permits a treatment of almost the entire avifauna of the island down to subspecies level—something most Australian field guides do incompletely or not at all.

There is a wonderful introduction which provides a lot of information about the geography and history of the island and includes a detailed discussion of the systematics presented in the book and the references which have informed their approach.

Birds of New Guinea DTS is certainly an important milestone of ornithology in this region and will be an invaluable reference for birders and ornithologists working in New Guinea and across northern Australia.

CBW

 

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Cat Wars: The Devastating Consequences of a Cuddly Killer

Review, OpinionChris Watson

by Peter P. Marra and Chris Santella

The adage about “standing on the shoulders of giants”, attributed to Sir Isaac Newton, is particularly relevant in the case of a book like Cat Wars. It’s an extended work of science journalism, richly referenced and supported by decades of field and laboratory experiments, hundreds of research papers, each of which has been vetted and verified by thousands of experts in their field. You could place it in the genre of popular science but really… works like this are the pinnacle of peer-review.

Unlike many peer-reviewed publications however, you’ll enjoy reading Cat Wars.

The disaster for biodiversity caused by free-ranging domestic cats has been well-known in ecological circles for decades but it is only relatively recently that the magnitude of the problem has started to gain wider awareness. Cat Wars, examining the problem from a rigorously evidence-based position, deserves to find wide readership. This can be an emotionally-charged topic with irrational fringe elements on both sides but the authors chart a steady course through a potential minefield of misinformation. No blithe hagiography of either camp, Cat Wars gives consideration to the claims and motivations of cat-lovers who would have all cats protected at any cost. But with fast-paced and entertaining writing, the authors bring validated research to bear on every point; piling up the evidence, leaving the reader with a clear understanding of the facts.

Mounting evidence shows that cats are a much bigger problem than we have acknowledged in the past and the authors of Cat Wars argue convincingly that we’re both logically and morally obliged to take steps to address this problem. This is the central thesis of Cat Wars and one which the authors support strongly. They so calmly, categorically and completely dismantle and debunk each counter-argument, that their conclusions are virtually unassailable.

Just as the dangers of DDT were little-known before Rachel Carson wrote her epochal Silent Spring, Cat Wars appears as the breaking of a wave that has been building for some time and is finally hitting with full force. Indeed comparisons to Carson’s book have already been drawn.

Cat Wars familiarises the reader with cats’ evolutionary history and goes on to describe their part in extinctions and the history of our interaction with the species. There are chapters on the rise to prominence of nature-based pursuits like bird watching and even a primer on population ecology in a chapter titled The Science of Decline. Most importantly, the authors have a stab at presenting the best solutions available to us at present. This part of the book also features a chapter systematically refuting the arguments for Trap-Neuter-Release (TNR) programs which are commonly held up as a solution and, occasionally, even enshrined in law. As this chapter sets out comprehensively: TNR is no solution at all and may even make the problem worse.

It’s beyond the scope of this review to recap all of the major points but it’ll suffice to note that a spoiler alert is not necessary for me to discuss the major arguments presented in Cat Wars. The short version is: free-ranging cats, whether owned, un-owned or feral, are bad. They’re bad for native cat species due to the spread of disease and increased competition for resources. They’re obviously bad for the billions of native prey animals they take from our ecosystems. They’re also quite bad it seems, and this was the biggest eye-opener for me, for humans.

Cats in the United States are a vector for the Yersinia pestis bacterium, better-known to many of us as the black plague. Although cases of plague transmitted from cats to humans have been rare (just a few cases per decade) of greater concern is the viral disease rabies. This is slightly less rare with a few cases per year in the US, however there are 38,000 post-exposure prophylaxes administered each year (mostly the result of people coming into contact with a suspected rabid cat) costing US taxpayers a minimum of US$190 million annually.

But the stogie for worst cat-borne disease must go to the protozoan parasite Toxoplasma gondii. This single-celled bastard-of-a-thing infects 30—50 percent of humans on Earth and 22 percent (60 million) of the US population and we’re still unsure of precisely how the infection affects brain function in humans. (It is at least correlated, though not necessarily causally, with schizophrenia and suicide). And a significant host of T. gondii, you won’t be surprised to learn, is cats.

Personally, I’d always been more focused on cats’ destruction of wildlife. This chapter was a revelation. The role of cats in the spread of diseases is covered in detail in the chapter titled The Zombie Maker and should be required reading for anyone living with, or even coming into occasional contact with, cats.

As the above passages foreshadow, much of the research presented and many of the cases discussed in Cat Wars are quite US-centric. This is to be expected given that the authors are both from that country but they have done an admirable job of peppering the narrative with illustrative examples from other regions and even commentary from international researchers; John Woinarski and threatened species commissioner Greg Andrews pop up a couple of times and will be familiar names to antipodean readers familiar with the invasive species discourse in Australia. 

My only frustration with Cat Wars is the frequency with which the authors, building up a good head of steam on a particular argument, drop a note in parentheses along the lines of “(more on this in chapter XX)”, or “(see page XX)”. This is an understandable technique for preserving the readability of text and the flow of narrative but in some cases I think the arguments could be served better by brief digression to present references in situ. To this end, and this may just be a personal preference, I’d rather references were indicated in superscript. There is an exhaustive list of references presented alphabetically at the back of the book but it is difficult to attach these to particular points or arguments as they are not cited in the text.

Finally though, the conclusions drawn in Cat Wars and the solutions offered by the authors are as inescapable as they are daunting to consider. With such a large, deeply entrenched and well-funded pro-cat lobby it seems clear that the solution to how we reduce the number of free-ranging cats in the landscape will be one of marketing. (I’ll pause here for that shiver down your spine to subside.) It will come down to getting people to honestly evaluate what they cherish most dearly—with the hope that most people will opt for a rich, healthy and diverse natural world in preference to one pointlessly overrun with cats. It will require people to engage honestly with the facts presented by legitimate researchers and to reject their own biases. With pundits of all stripes proclaiming that we now live in the era of “post-fact politics” this might seem like a tall order. But in the end, it starts with everybody taking responsibility for their part in the solution.

A large feral cat stalking prey in the Australian outback.

Cat-owners need to adopt responsible ownership practices: indoor and contained cats are healthy, safe and happy cats. This is better for cats, better for wildlife and better for people.

Governments and the media need to take responsibility for recognising the validity of scientifically-acquired knowledge and remove TNR from serious discussion. It should be legislated against (certainly not for) and should be lumped with other irrational fringe beliefs like climate science denialism and contrail mind-control conspiracies.

Cat Wars may well stand alongside Silent Spring in the pantheon of classic nature writing. Let’s hope it is as effective in warding off an impending cat-induced biodiversity crisis as Silent Spring was in alerting us to the perils of DDT.

CBW

Listen to an interview with author Peter Marra by Phillip Adams on RN Late Night Live

 

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A Natural History of Australian Parrots: a tribute to William T. Cooper

ReviewChris Watson

By Joseph Forshaw and William Cooper

Buxton: Nokomis Editions 2016

$345.00

 

“…please don’t make the mistake of thinking the arts and sciences are at odds with one another. That is a recent, stupid, and damaging idea. You don’t have to be unscientific to make beautiful art, to write beautiful things.” – Tim Minchin, occasional address, UWA, September 2013.

 

That crucial symbiosis between science and art could scarcely be better exemplified than it is by the more than four decade partnership between Joseph Forshaw and William Cooper. The pair have commonly been referred to over the years as scientist and artist respectively, but, I think, those descriptors apply just as accurately the other way around.

Cooper was as much a researcher as a “portrait painter to the birds”, as he was dubbed by Sir David Attenborough. He spent a large portion of his time in the field, observing birds in the wild, capturing their essence in reams of notes and field sketches, before bringing them back to life in his studio. And Forshaw, as much as being a respected expert in his field internationally, has an undeniable talent for rendering that expertise accessible and enjoyable to the lay-reader.

I was lucky enough to pop along to Andrew Isles Natural History Books to view the only advance copy of this book in existence. The remainder of the very limited print-run are, at this moment, in a container, Australia-bound, in preparation for the launch in a few days.

The initial impression of the book is that it is a very serious collector’s edition. It has 344 pages printed in landscape format at quarto size on beautiful stock which displays the plates at their best. Andrew Isles’ website tells us it is, “fully cased in grey Ballantine cloth, with black blocking and marbled endpapers”. Whatever a “Ballantine” is (I was sure that it was a brand of Scotch), it does its work well. The advance copy that I viewed was a thing of great weight and beauty and I can only assume that the remainder of the edition will be its equal. My photographs here do little justice to the book’s majesty and the vibrancy of the colour reproductions but it will remain on show in-store at Andrew Isles Natural History Books until the launch for those who are interested in seeing it first-hand.

There are numerous plates which have never been published before, including a multitude of Cooper’s field sketches and pencil studies for most species. There are also a number of plates exhibiting Cooper’s additional talents as botanical illustrator and landscape painter. While the cockatoos toward the front of the book are colourful, big-on-the-page and arresting; there is a plate much later in the book depicting Golden-shouldered Parrots perched unobtrusively on a termite mound, almost like incidental ornaments to a sweeping panorama of Cape York tropical savanna.

This, for me, is the real genius of Cooper’s work. He gives us the birds carefully posed for scientific scrutiny and field mark diagnosis. He also depicts them for us in their habitat for scale and relevance. But often, he also presents them as we would most often encounter them. We rarely see cockatoos any other way but quite well. They’re large, noisy and, mostly, fairly obvious in the landscape. But those smaller quieter Psephotus parrots might more usually be noticed at the last second; perched silently on a branch or termite mound, before flushing at your unintended disturbance. Andrew Isles actually has the original painting of the Golden-shouldered Parrot scene that was reproduced as a double-page plate for this book and it hangs, fittingly enough, over the area where the book is on display.

At about a dollar a page, this latest and ultimate testament to the Forshaw/Cooper partnership is expensive but will still be within the reach of many aficionados of Cooper’s work. (While the text has been updated considerably since Forshaw’s last writing on the topic 15 years ago—we have seen the Night Parrot rediscovery and the dwindling fortunes of the Orange-bellied and Swift Parrot for a start—this edition has very specifically been produced as a tribute to its late illustrator. No disrespect for Mr Forshaw’s part in its production is intended, or should be inferred, if I have focused more directly on this volume’s obvious appeal to fans and collectors of Cooper’s artwork. My encounter with the book was all too brief and I didn’t get time to go over the text in any detail.)

My thanks to the publisher for the suggestion and to Andrew Isles and his staff for putting up with my intrusion. I look forward to the launch and hearing the reception that this highly anticipated book receives.

CBW

 

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Britain's Birds: An identification guide to the birds of Britain and Ireland

Review, BirdingChris Watson

by Rob Hume, Robert Still, Andy Swash, Hugh Harrop and David Tipling

Princeton University Press, August 2016

Paperback AU$78.00

This new field guide arrived, fortuitously, only a few hours before I departed for a four week stint in the British Isles. As such, it has received a more thorough road-test than some field guides I’ve reviewed. I was also able to meet the authors at the British Birdfair and speak to a number of British birdwatchers there to gauge the early reception Britain’s Birds has received from locals. The overwhelming impression from my snap-poll? A resounding 'thumbs up'.

In total, Britain’s Birds was knocking about in my glovebox or backpack for a shade over 2200 kilometres of a trip that took in parts of England around Oxford and Rutland Water; southern Scotland around Glasgow; and islands of the Inner Hebrides including Mull, Islay and Arran in the Firth of Clyde. These are all areas that I have birded intermittently over the last 15 years, apart from Mull and Islay, to which this was my first visit. After a brutal dip on a vagrant Long-tailed Duck at Rutland Water, my only lifer from four weeks of birding was Red-billed Chough on Islay. But despite all other species being familiar to me already, Britain’s Birds taught me much more about them all and I referred to it constantly.

That first glimpse of a lifer; is there anything like it?! My picture here isn't a patch on the images you'll find in Britain's Birds but we were rapt to eventually have great views of close to 40 birds. Islay is one of very few places in Scotland this rare species still occurs. Britain's Birds informs us there are fewer than 3500 birds across Britain and Ireland with as few as 300 individuals remaining in Scotland.

Completeness is the inescapable first impression Britain’s Birds makes. It includes accounts for just shy of 650 species. With the usual list of resident birds and annual migrants to Britain barely topping 200 species, the fact that the official British list has grown to such a size is testament partly to its geographic location being favourable to avian vagrancy, but mainly to the fervour, size and skill of its birdwatching community. (For comparison, the vaunted Collins guide to all the birds of Europe treats 713 species, has 100 fewer pages and is about two thirds the weight.) As the inevitable result of being so comprehensive, Britain’s Birds is heftier than any other British field guide I’ve used, coming in at 1190g, just a fraction lighter than my ‘go to’ guide to Australia’s 700+ birds, Pizzey & Knight.

The species account for (Red-billed) Chough. The text is concise but more than sufficient. This is one of the more straightforward species to identify.

But if size is the only criticism I can make of Britain’s Birds, it is also a piddling one. It still fits comfortably in the glovebox or day pack, if not quite a jacket pocket. I happily carried mine in the Scopac across many miles of forests, moors and peaks during my visit. It’s printed on robust stock with a low-gloss finish and the solid cover is made of a splash-proof plasticised card which was sufficient to withstand the drizzliest days the Hebridean weather could throw at us.

My antipathy toward photographic field guides has been gradually dissolving since the release of Birds of Australia by Campbell, Woods & Leseberg; Britain’s Birds has banished my reservations about the form entirely. The images are uniformly brightly-lit, well-chosen, frequently breathtaking and carefully arranged without crowding the pages.

The authors have adopted an approach that will be familiar to users of the Crossley ID guides, with a few innovations of their own. Birds are set against a typical background with a number of other birds of the same species super-imposed around them for comparison. The collection of photographs they have collected in Britain’s Birds is staggering. Unlike Australian photographic guides which remain frustratingly bereft of images of Buff-breasted Button-quail (and Night Parrot although photos, happily, are now available for this species), every species is depicted. Not only that, but each species is shown in almost every plumage variation, in comparable light, in near identical poses, in flight and at rest. For a country in which a newb can easily become befuddled by the profusion of gulls (not to mention hybrid ducks!), the inclusion of additional comparison pages for difficult groups is particularly handy. Where vagrants are pictured, the authors have even gone to the trouble of sourcing photographs of an actual individual from its occurrence in British territory. Sub-species are also detailed in most cases; the best example of this may be the species account for Wren Troglodytes troglodytes, which has a dedicated page picturing all six races which occur.

For potentially problematic species you get the Full Monty: a double page spread here for the bogey bird of my trip, Long-tailed Duck. Flight shots, head shots, different moults, behavioural notes, other species it is likely to associate with... all in beautifully comparable, well-lit, photos.

Another highlight is the size and detail of the maps. This is a common stumbling block for many guides so I was stoked to see these produced at a size that allows for fine-grain geographic detail. Each map also has a caption giving movement information, a summary of habitat use and an estimate of British population size.

Also a welcome addition for many will be the ‘educational’ pages at the start of some sections for bird groups that might be difficult for newer birders or birders new to the region. These include helpful pages on the field identification of swans and geese, ducks, waders, gulls, skuas, auks and many others. These pages summarise the field marks to look for in separating the species and give useful behavioural details, moult cycles, confusion species, etc. Certain species accounts also carry a “Rare Beware” inset beside the title. This is a great innovation which immediately alerts you to the possibility of rare birds that might be confused with the species you’re looking at and lists the page numbers to check for those confusion species.

The order is roughly taxonomic with a twist; species are grouped into general categories like water birds, wetland birds, birds of prey, night birds, game birds, etc. To be honest, I’d be happier with a more strictly taxonomic order but the order presented doesn’t affect the usability of the guide in the slightest.

For me, Britain’s Birds has finally eliminated any reticence toward photographic field guides. Photographic and production technology has clearly reached a point at which a guide like this can be the equal of any hand-illustrated version. With the gobsmacking growth in popularity of wildlife photography in recent years who knows? Perhaps one day photo field guides could even become the preferred format.

Britain’s Birds will now be my first pick of field guides to pack when visiting the UK. It’s on the heavier side, but not impractically so. For the extra size you get a field guide which is beautiful, comprehensive, highly usable, as up-to-date as a book in print is able to be and will be a valuable reference on the species it describes, wherever they happen to be found.

CBW

 

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